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Photoshop - Lesson 2: Color Theory

Color correction for images is one of Photoshop's most important functions. Review the key facts and practical impact.

Table of Contents

Understanding PhotoShop requires more than a headline. The overview below breaks down the key facts, changes, and user impact.

Photoshop Overview

Photoshop - Lesson 2: Color Theory – We feel the colors thanks to the reflected light from objects and We feel the colors thanks to the reflected light from objects and go to our eyes

In 1704, the famous British scientist Isaac Newton resolved white light into seven rainbow colors - violet - blue - green - yellow - orange - red, in which purple, indigo, yellow, orange could created from red, green and blue. So red, green and blue are considered the three basic colors (primary colors) to create any other color. On the other hand, science also proves that light is a form of energy radiated in the form of waves spreading at 300,000 km / sec. The color of light is different due to different wavelengths. The spectrum that the human eye can see is just a very narrow slit on the electromagnetic wave scale, stretching from 380nm dark purple (nanometer, unit of length equal to 1 millionth of a millimeter) to 780nm deep red.

Photoshop - Lesson 2: Color Theory – Visible spectrum (2) Visible spectrum

People call the plus color model as RGB model. This principle is applied in the technology of manufacturing television screens, computer monitors, video techniques, lighting.

Photoshop - Lesson 2: Color Theory – All colors that are in visible suffering can be created By (3) All colors that are in visible suffering can be created By changing the intensity of 3 lights: red, green, blue

In Photoshop:

R G B Red (Red) 255 0 0 Green (Green) 0 255 0 Lam (Blue) 0 0 255 Lam - green (Cyan) 0 255 255 Red lotus (Magenta) 255 0 255 Yellow ( 255 ) Yellow 255 0 Black 0 0 0 White 255 255 255 Gray 50% 128128128

II. Subtractive color model ( subtractive color model ) The plus color model starts from black (a blank TV screen and adds color R, G, and B to get white). In contrast, the minus color model starts with white (a blank sheet of paper is projected with white light and subtracts the R, G, B colors of white light to get black). The removal of light R, G, B is done by printing overlapping blue ink colors - green (cyan), red lotus (magenta) and yellow (yellow). Cyan ink works to absorb red light, Magenta ink absorbs green light, Yellow ink absorbs blue light.

Photoshop - Lesson 2: Color Theory – Cyan ink absorbs red light - Magenta ink absorbs green light (4) Cyan ink absorbs red light - Magenta ink absorbs green light - Yellow ink absorbed blue light

Any color in the restored color range (CMYK gamut) can be achieved by changing the color ink ratio C, M, Y. The color model except for the modern and internal color photography techniques all industrial color printing processes. In practice, because the ink is not pure, when the three colors C, M, Y overlap, they still cannot produce true black. And the printing industry must use a print with black ink to complement C, M, and Y to create more detail and depth for the image.

Photoshop - Lesson 2: Color Theory – In printing industry, 4 CMYK colors are called 4 colors process (5) In printing industry, 4 CMYK colors are called 4 colors process colors

In printing, to create red flags ( Red ) people print the red lotus ( Magenta ) and yellow ( Yellow ). Similarly we have:

C (%) M (%) Y (%) K (%) Red flag (Red) 0 100 100 0 Green (Green) 100 0 100 0 Blue purple (Blue) 100 100 0 0 White 0 0 0 0 Orange 0 50 100 0 Green jade 40 0 20 0 Sky blue 60 20 0 0 Pink 5 40 5 0 Beige color 55150

Photoshop - Lesson 2: Color Theory (6)

By screening techniques, color images are restored by superimposing overlapping particles ( screen dot ) with 4 colors C, M, Y, K in 4 different angles.


III. HSB model ( Hue, Saturation, Brightness ) a. Hue (color): Normally, color is the name of the color. For example: red, orange, green. Different colors are represented in colored circles and are valued at 0 o to 360 o.

Photoshop - Lesson 2: Color Theory – Color circle (7) Color circle

People can also perform Hue in the 3-dimensional model below:

Photoshop - Lesson 2: Color Theory (8)

In Photoshop, to select a color, click on the Foreground color or Background color icon.

Photoshop - Lesson 2: Color Theory (9)

Then, the Color Picker dialog box will appear:

Photoshop - Lesson 2: Color Theory (10)

B. Saturation: The color saturation represents the purity of the color. When there is high saturation, the color will be clean and bright. When there is low saturation, the color will be cloudy and dull. Saturation varies from 0% (gray) to 100%.

Photoshop - Lesson 2: Color Theory (11)

On the color circle, the color saturation increases gradually from the center to the circumference

Photoshop - Lesson 2: Color Theory (12)

C. Brightness: The brightness of a color describes how bright or dark it is. Brightness varies from 0% to 100%.

Photoshop - Lesson 2: Color Theory (13)

In the 3D model, the brightness gradually increases from the bottom to the top

Photoshop - Lesson 2: Color Theory (14)

IV. CIE Lab model The CIE L * a * b * model is built on the ability of the human eye to perceive color. Lab values ??describe all the colors that an ordinary person's eyes can see. Lab is considered an independent color model for the device and is often used as a reference base when converting a color from one color space to another. According to the Lab model, all colors with the same brightness will be on the same plane with a circle shape in the two axes a * and b *. The color with a value of a * positive is red, the color has a negative value. Similar to positive b *, yellow and b * negative are blue. The brightness of the color changes along the vertical axis.

Photoshop - Lesson 2: Color Theory (15)

V. Why colors are not the same There is no device in the printing system that can recover the entire spectrum of colors visible to the human eye. Each device operates in a finite color space. CIE Lab models have a fixed color space because they are built on the ability of the human eye to perceive color. Lab model is independent of the device. The remaining models such as RGB, CMYK, HSB may have many different color spaces and depend on the device.

Photoshop - Lesson 2: Color Theory (16)

Due to the different color spaces, the color of the documents shown on different devices will not be the same. Differences in color may arise due to images created from various sources (from scanners, digital cameras.); Graphics software defines different colors; different printing materials (newsprint with a smaller color space than couché paper); and due to equipment manufactured from different manufacturers; Different device life.

Photoshop - Lesson 2: Color Theory (17)

Different devices have different color spaces

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FAQ

What does Photoshop - Lesson 2: Color Theory explain?

Understanding PhotoShop requires more than a headline.

Who is most affected by PhotoShop?

The overview below breaks down the key facts, changes, and user impact.

What are the key takeaways from this topic?

Photoshop Overview We feel the colors thanks to the reflected light from objects and go to our eyes In 1704, the famous British scientist Isaac Newton resolved white light into seven rainbow colors - violet - blue - green - yellow - orange - red, in which.

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