Table of Contents
Plan what viewers will see
A narration script defines what the audience hears. A visual script maps each part of that narration to footage, screen recordings, graphics, captions, and transitions. Planning those elements before filming reduces missing shots and makes the final video easier to follow.
You do not need drawing skills or a cinema-scale production. A useful storyboard can be a table with a rough sketch or written frame description, narration, timing, and production notes.
What a storyboard should record
| Field | Question it answers |
|---|---|
| Scene and time | Where does this shot appear, and how long is it expected to last? |
| Visual | What exactly will the viewer see? |
| Shot type | Is it a wide shot, medium shot, close-up, screen capture, graphic, or B-roll? |
| Audio | Which narration, dialogue, music, or sound effect accompanies the shot? |
| On-screen text | What label or caption is essential to understanding? |
| Transition | Is this a direct cut, dissolve, animated transition, or continuous action? |
| Source | Will the visual be filmed, captured from a screen, generated, licensed, or created as a graphic? |
| Notes | Which prop, device, location, permission, or continuity detail is required? |
Turn a script into a shot plan with AI
An AI assistant can produce a first pass quickly, but it does not know your locations, equipment, licenses, or editing style unless you provide them. Ask it to preserve every factual step and flag visuals that require assets you do not have.
Here is my video script:
[PASTE SCRIPT]
Create a numbered visual plan. For each scene include:
1. Start and end time based on the narration
2. Exact narration covered
3. Visual description
4. Shot type and framing
5. On-screen text
6. B-roll or screen capture needed
7. Transition
8. Required asset, location, or permission
Constraints:
- Available equipment: [LIST]
- Available locations: [LIST]
- Target format and aspect ratio: [LIST]
- Do not invent statistics, product screens, or footage I have not supplied.
- Flag any visual that may require a license or disclosure.
Example output
| Time | Visual | Audio | Production note |
|---|---|---|---|
| 0:00–0:05 | Close-up of hands typing; code runs successfully | “You know the feeling when your code finally works?” | Capture screen separately so text remains readable |
| 0:05–0:15 | Medium shot of presenter at desk | “Here are three shortcuts that changed my workflow.” | Leave space on the left for the title overlay |
| 0:15–0:30 | Screen recording of shortcut one | Step-by-step explanation | Zoom only enough to make the relevant control clear |
Common shot types
| Shot | What it shows | Useful for |
|---|---|---|
| Wide or establishing shot | Subject and environment | Opening a location or showing context |
| Medium shot | Presenter, usually from waist or chest up | Direct explanation and conversation |
| Close-up | Face, hands, object, or interface detail | Emphasis and precise actions |
| Over-the-shoulder | Person interacting with a device or object | Connecting the user with the task |
| Screen recording | Computer or phone interface | Software demonstrations |
| B-roll | Supporting action or environment | Illustration, pacing, and hiding edits |
| Graphic or text overlay | Diagram, label, step number, or short key phrase | Clarifying information that narration alone may not convey |
Visual variety should serve comprehension, not an arbitrary time limit. A continuous screen recording may be correct when every action matters; an unnecessary presenter cutaway can make a tutorial harder to follow. Change the visual when the idea, action, emphasis, or pace calls for it.
Plan B-roll with a purpose
B-roll is supplemental footage placed over narration or between primary shots. Each planned clip should do at least one job:
- Show context: location, tools, or working environment.
- Demonstrate an action: what the speaker is describing.
- Clarify an abstract idea: a diagram or carefully chosen visual metaphor.
- Preserve continuity: cover a cut without distracting from the message.
- Provide evidence: a real product state, result, or source shown at readable scale.
My video is about [TOPIC].
The three main points are:
1. [POINT]
2. [POINT]
3. [POINT]
For each point, suggest:
- Two B-roll clips I can film using [AVAILABLE LOCATIONS/EQUIPMENT]
- One licensed-stock or self-created graphic alternative
- The exact narration line where each clip begins
- Approximate duration
- What the clip helps the viewer understand
Avoid generic shots that do not add information.
Convert the storyboard into a shot list
A storyboard follows the viewer's final timeline. A shot list is a production checklist and can be sorted by location, setup, camera, performer, or lighting to reduce repeated work.
| # | Final scene | Shot | Description | Equipment | Location | Estimate |
|---|---|---|---|---|---|---|
| 1 | Intro | Medium | Presenter delivers opening at desk | Camera, microphone, key light | Office | 15 sec |
| 2 | Intro | Close-up | Hands use the demonstrated shortcut | Camera or phone, tripod | Office | 5 sec |
| 3 | Demo | Screen capture | Software workflow with cursor visible | Screen recorder | Desktop | 90 sec |
Film compatible shots together, but record a slate or file name that links each take to its final scene. Capture several seconds before and after the intended action so the editor has room to cut.
Here is my numbered storyboard:
[PASTE STORYBOARD]
Create a filming-order shot list grouped by:
1. Location
2. Lighting setup
3. Camera and lens
4. Presenter, props, and wardrobe
5. Time-of-day requirement
Keep the original scene number beside every shot. Add setup shots, clean screen captures, room tone, and safety takes only where they are useful.
Adapt the plan to the video format
Long YouTube video
- Map chapters and show where each promise is fulfilled.
- Plan source visuals, demonstrations, and B-roll for longer explanations.
- Use recurring visual language for steps, warnings, and examples.
Short vertical video
- Design the first frame to communicate the topic immediately.
- Use a small number of readable shots rather than rapid cuts for their own sake.
- Keep captions inside platform-safe areas and preview the crop on a phone.
Course or software tutorial
- Prioritize legible screen capture and step continuity.
- Show the presenter when orientation, trust, or transition is useful.
- Plan zooms and highlights during editing instead of moving the cursor randomly.
Presenter-led video
- Plan framing changes around topic changes or emphasis.
- Record purposeful B-roll that covers edits in the main take.
- Keep on-screen text short enough to read while listening.
Review the plan before production
- Read the script aloud and time it; estimated reading speed may be wrong.
- Check that every factual claim has an appropriate source or visual.
- Confirm that text, interfaces, and demonstrations will be readable at the target resolution.
- Identify copyrighted, personal, confidential, or AI-generated assets that require permission or disclosure.
- Remove visuals that merely repeat narration without adding context.
- Verify continuity of clothing, lighting, device state, and object positions.
- Confirm that every planned shot is possible with available time and equipment.
Key points
- A visual script maps narration to what viewers see and when they see it.
- A storyboard is the creative timeline; a shot list is the production checklist.
- AI can draft and reorganize both, but the creator must verify timing, feasibility, rights, and factual accuracy.
- B-roll should explain, demonstrate, provide evidence, or solve an edit—not exist only for motion.
- Group filming by setup while retaining the final-scene number for every take.
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Question 1:
What is a shot list, and how does it relate to a storyboard?
EXPLAIN:
The storyboard shows the planned viewer experience in timeline order. The shot list turns that plan into specific footage to capture and may be reordered for efficient production.
-
Question 2:
Why can a storyboard help even with a simple video?
EXPLAIN:
Planning solves visual and logistical problems before production, when changing a shot is usually easier than arranging a reshoot.
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